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Resistance, the Unverifiable, and the Horse in Ali Smith’s Gliff

The dystopian fiction of imperialism, which began with Jack London’s Iron Heel, has returned with a vengeance in the 2020s, increasingly recognised in international literary awards. From Paul Lynch’s Prophet Song (2023 Booker Prize) to Ali Smith’s Gliff (2026 Dublin Literary Award), novelists imagine futures that feel uncomfortably close to the present. Yet where Lynch’s […]

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Dublin Cuban Film Festival Defies Trump’s Cuba Crackdown with Two Irish Premieres

The Dublin Cuban Film Festival returns for its third year this July, screening at The New Theatre in Temple Bar and supported by the Communist Party of Ireland and the Cuban Institute of Cinematographic Art and Industry (ICAIC). The festival opens with the Irish premiere of Cuba After Castro (Thursday 23 July, […]

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A Midsummer Night’s Dream

Set against pagan associations of midsummer festivity and disorder, A Midsummer Night’s Dream is usually presented as one of Shakespeare’s most carefree comedies. Yet beneath lies a sharp critique of Athenian society – a world dominated by violence, while the forest outside the city becomes an imaginative alternative. Through this contrast, the […]

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Count Me Out: Selected Writings of Filmmaker Bob Quinn – Bob Quinn, edited by Toner Quinn (Boluisce Press, 2025)

Bob Quinn was an Irish television producer who, after falling out with the RTÉ hierarchy in the late 1960s, found himself living the life of an artist in Connemara at a time when it was one of the most economically deprived regions in Europe, with a wife and young child […]

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Humanity After the Fall in Beckett’s Godot

Samuel Beckett’s Waiting for Godot (1948) emerges from a 20th-century shadow shaped by war, existential uncertainty, and the threat of total annihilation. Echoing Bertolt Brecht’s warning about civilisations vanishing after repeated conflict, the play imagines what remains of humanity after catastrophe. Set on a barren stage — “a country road, a tree, […]