Partisan • Patriotic • Internationalist
Brecht and radically proletarian art The majority of theatre broadly falls under the umbrella of dramatic theatre. It will have a linear plotline, actors who wholly inhabit well-developed characters, structured, thought-out themes, etc. Bertolt Brecht, the German Marxist playwright, would call it escapism. Brecht held that “art is not a […]
Sean O’Casey’s play The Shadow of a Gunman premiered 100 years ago, on April 12, 1923, at the Abbey Theatre. It is set during the War of Independence in a Dublin tenement. Davoren, writer of romantic verse, shares a room with Seumas, a peddler and onetime patriot who has now […]
Great Carthage waged three wars. It was still powerful after the first, habitable still after the second. Gone without trace after the third.—Bertolt Brecht (1951).
Samuel Backett died thirty years ago, on 22 December 1989. He received the Nobel Prize for Literature fifty years ago, in 1969.
Arguably Beckett’s most famous play is Waiting for Godot. Typically, when this play today is presented today the comedy of it is emphasised, as is its “absurdist” label, suggesting that life is meaningless. Beckett had moved permanently to France in the late 1930s.
Just before thousands of students agonise once again over the question of Lear’s madness and other issues, Socialist Voice presents a Marxist view, based on understanding Shakespeare’s times. Shakespeare lived in early capitalist society, marked by an uninhibited pursuit of power on the one hand and a new, humanist image […]